Color in the work of Antonio Peticov
Approach to Jung in his work “The Psychology of Kundalini Yoga”
DOI:
https://doi.org/10.21901/2448-3060/self-2020.vol05.0009Keywords:
Analytical psychotherapy, art (psychology), symbolsAbstract
This article seeks to approach Antonio Peticov’s work in the light of analytic psychology. Jung considered imagination as one of the main functions of the psyche, that is, it is the direct expression of vital activity and a way the psychical energy manifests itself in consciousness. Through fantasy, individual can launch himself into a process of symbolization, becoming an inexhaustible creator of new cultural possibilities. The psyche, when it gets filled with images in a continuous flow, gives amplitude to the exterior experience. In this way, Peticov’s work emerges as a photography of the unconscious, revealing its personal and collective aspects. Contextualized within a historical moment, it provides us with a reading of the movement of its time, the zeitgeist, that is, the spirit of the time, and can also be prospective, indicating what is to come.
Downloads
References
Becker, U. (1992). Dicionário de Símbolos. São Paulo: Paulus.
Fiori, O. (2012). As imagens de Peticov e o registro dos sonhos. In I. Gaeta, M. Catta-Pretta, Sonhos e arte: diário de imagens (pp. 25-35). São Paulo: Primavera Editorial.
Gaeta, I., & Pacce, M. R. (2008). Psicologia analítica: aproximações kundalini yoga e o despertar do amor através dos chakras. Revista Hermes, 13, 49-59.
Feuerstein, G. (1989). Yoga: the technology of ecstasy. Los Angeles: Tarcher.
Jung, C. G. (1961). O homem e seus símbolos. Rio de Janeiro: Nova Fronteira.
Jung, C. G. (1991). A natureza da psique (OC, V. 8/2). Petrópolis, RJ: Vozes. (Trabalho original publicado em 1946).
Jung, C. G. (1996). The psychology of kundalini yoga: notes of the seminar given in 1932. Princeton: Princeton University Press. (Trabalho original publicado em 1932).
Published
How to Cite
Issue
Section
License
The Self adopts the Creative Commons "Attribution 4.0 International" license, classified as a Free Culture License, which allows copying and distribution of any works published in any means or format and allows others to change, make adjustments or create derivative works for all uses, even commercial, as long as it is given proper credit to the publication. More details in http://creativecommons.org/licenses/by/4.0/.
When authors submit their works to the journal, they accept the terms of this license and agree to assign the copyright of the manuscript to the publication. Along with their work, the authors must send a signed copyright assignment document.